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Acknowledging that both the impacts of and solutions to climate change are deeply mediated by culture, the fictional Intergovernmental Panel on Art and Climate Change (IPACC) explored a stronger integration of the arts, the social sciences and humanities within the interface between science and global policymaking. The IPACC was an object for discussion in two consecutive annual discursive events, gathering professionals from the fields of art, science and beyond. In the first three-day event, the prospects and challenges of this meta-institution were discussed in a speculative role-play between speakers enacting fictional Present and Future generations.

The Intergovernmental Panel on Art and Climate Change (IPACC) is a fictional institution which refers to the Intergovernmental Panel on Climate Change (IPCC), the United Nations’ body assessing the science related to climate. Acknowledging that both the impacts of and solutions to climate change are deeply mediated by culture, the IPACC explores a stronger integration of the arts, social sciences and humanities within the interface between science and global policymaking. The project spanned two discursive events in consecutive years, happening in parallel to the unfolding IPCC’s 6th Assessment Cycle, a comprehensive review of the latest climate science.

In the first event, the IPACC was an object for discussion and an instigator of an exercise in long-term thinking beyond our current socio-political short-sightedness. The event started with a conversation with the IPCC’s vice-chairs Dr. Thelma Krug and Dr. Youba Sokona and presentations by philosopher Roman Krznaric and artist Carolina Caycedo. The following two days gathered professionals from the arts and beyond, divided in two groups: one enacting a fictional Present, and another embodying a generation 140 years in the Future. This role-play structure draws from the Japanese decision-making strategy Future Design, which departs from the seventh-generation principle of indigenous cultures, urging current societies to consider the interests of forthcoming generations.

The group of the Present (Fernando García-Dory, Nataša Petrešin-Bachelez, Suzanne Dhaliwal and Taru Elfving) departed from the fictional scenario that the IPCC wished to include arts and culture in their workings and thought prospectively on what these could add to the IPCC and how such a collaboration could happen. The Future generation (Ama Josephine Budge, Julieta Aranda, Pauliina Feodoroff and Prem Krishnamurthy) gave a retrospective evaluation of the IPACC’s importance and shortcomings on future societies and artistic practices. After separate round-tables, both groups joined forces in speculating how arts and culture could gain further traction in the discussion and action on the climate crisis.

IPACC - Intergovernmental Panel on Art and Climate Change
co-curated with Inga Lāce

25 - 27.02.2021
Jan van Eyck Academie, Maastricht, Netherlands

With contributions by:
Ama Josephine Budge, Carolina Caycedo, Fernando García-Dory, Hicham Khalidi, Julieta Aranda, Nataša Petrešin-Bachelez, Pauliina Feodoroff, Prem Krishnamurthy, Roman Krznaric, Suzanne Dhaliwal, Taru Elfving, and IPCC Vice-Chairs Dr. Thelma Krug & Dr. Youba Sokona.

Jan van Eyck participants (2020-21): Aliki van der Kruijs, Arvid&Marie, Asli Burger, Charlotte Lagro, David Habets, Manjot Kaur, Rudy Guedj & The Soft Protest Digest.

Watch the full event here, or a 1-hour synthesis here.

Download the project portfolio here.

Intergovernmental Panel on Art and Climate Change, visual Identity designed by Rudy Guedj
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Visual Identity designed by Rudy Guedj.

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Performance by Arvid & Marie. (video excerpt)

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IPCC ’s vice-chairs Dr. Thelma Krug and Dr. Youba Sokona, philosopher Roman Krznaric, artist Carolina Caycedo.

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Conversation with the IPCC ’s vice-chairs Dr. Thelma Krug and Dr. Youba Sokona, with curator Inga Lāce. Watch here.

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The Art of Being a Good Ancestor, keynote by Roman Krznaric. Watch here.

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Healing the Collective Body, keynote by Carolina Caycedo. Watch here.

Conundrum of Desires, performance by Arvid&Marie and Manjot Kaur
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Conundrum of Desires, performance by Arvid & Marie and Manjot Kaur. Watch here.

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Curator Taru Elfving, artist Fernando García-Dory, curator Nataša Petrešin-Bachelez, climate justice creative and researcher Suzanne Dhaliwal.

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Conversation between the Group of the Present. Watch here.

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Curator, researcher and writer Taru Elfving. (video excerpt)

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Artist Fernando García-Dory. (video excerpt)

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Designer, curator and writer Prem Krishnamurthy, artist Julieta Aranda, writer, artist, curator and pleasure activist Ama Josephine Budge, theatre director, artist and nature guardian Pauliina Feodoroff.

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Performance by Marie Caye and talk by Prem Krishnamurthy. (video excerpt)

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Group of the Future: Prem Krishnamurthy, Julieta Aranda, Ama Josephine Budge, Pauliina Feodoroff.

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Curator and pleasure activist Ama Josephine Budge. (video excerpt)

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Artist Julieta Aranda. (video excerpt)

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Conversation between the Group of the Future. Watch here.

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Designer, curator, writer, and teacher Prem Krishnamurthy.

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Waking up in 2161, video by artists Aliki van der Kruijs and Charlotte Lagro in collaboration with the local primary school students. Watch here.

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Return to Time, performative transition by Arvid & Marie. Watch here.

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Assembly between the groups of the Present and the Future and the general public. Watch here.